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Genre Chamber Music Classical. Please enable JavaScript in your browser to use the site fully. In Sequenza XII Berio makes deliberate use of the different registers and explores the physical limits of performance through extended techniquesfor example, through different uses of the tongue to modify airflow, by writing notes and phrases that are so long they require the performer to use circular breathingthe use of glissandoand multiple sounds producing by singing through beeio instrument while playing Osmond-Smith ; Pedone Discography [ edit ] Luciano Berio.


Sequenza XII is a composition for solo bassoonwritten by Luciano Berio in Osmond-Smithand part of a series of fourteen Sequenze composed between and The piece is strung along a backbone of glissandi, with, as is typical of Berio ‘s monophonic Sequenzas, excursions into rapid melodic fragments and complex articulated gestures.

Compositions bdrio Luciano Berio compositions Compositions for bassoon Music dedicated to ensembles or performers Classical composition stubs.

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Sequenza XII (author’s note)

This page was last edited on 7 Juneat Deutsche Grammophon 3CDs Ensemble InterContemporain members Pascal Gallois, bassoon. Stradivarius 1CD Berii relies heavily on JavaScript.

Berio ‘s Sequenza series for solo instruments can be seen as a collaborative process not only in the performance of these works but in the compositional process itself.

Annuario in divenire 1. Drinking Hanging Out In Love. Sexy Trippy All Moods. Share on facebook twitter tumblr. Introspection Late Night Partying. Streams Videos All Posts. Sequenza XII is the longest of all the Sequenzeat nineteen minutes. Un re in ascolto Cronaca del luogo. Naxos 3CDs By using this site, you agree to the Terms of Use and Privacy Policy. Various performers Noriko Shimada, bassoon.


Sequenza XII – Wikipedia

AllMusic Featured Composition Noteworthy. In the case of Sequenza XII for bassoon sequenaa, Pascal Gallois was a crucial catalyst for Berio ‘s decision to write the piece at all, demonstrating the wide-ranging personality of the instrument, including its timbral and technical possibilities.

A Garland for Dr. References [ edit ] Xi, David. In a live performance, the piece can stretch to close to half an hour; the performer’s ability to circular-breathe is virtually a necessity, with some glissando passages lasting for many minutes without a pause. Various performers Kenneth Munday, bassoon. This article about a classical composition is a stub.

Jazz Swquenza New Age. From Wikipedia, the free encyclopedia. Retrieved from ” https: You can help Wikipedia by expanding it. Stefanie Liedtke, bassoon and Lorenda Ramou, piano “Breathless”: